Early computer art

EARLY

Brief selection:

1965

First computer art exhibition, at Technische Hochschule in Stuttgart, organised by Frieder Nake, Michael Noll and George Nees (Germany).

First U.S. computer art exhibition, at Howard Wise Gallery in New York. ‘Computer generated Pictures’ including Bela Jules and Michael Noll (US).

1966

Experiments in Art and Technology (E.A.T.) launched by the engineers Billy Klüver and Fred Waldhauer and the artists Robert Rauschenberg and Robert Whitman. The event ‘9 Evenings: Theatre and Engineering’ in October in New York (US), comprised 40 engineers and 10 contemporary artists working together on performances incorporating new technology.

1967

The Flexipede by Tony Pritchett – first computer animated film in the UK. Pritchett used Fortran V to program The Flexipede.

1968

Computer Arts Society formed. CAS was a special interest group of the British Computer Society set up by John Lansdown (architect) and Alan Sutcliffe (pioneer of computer music) and George Mallen (cybernetics) (UK).

Some More Beginnings – the first international exhibition of art and technology held at the Brooklyn Museum, organised by E.A.T., from November 1968 to January 1969.

1969

SIGGRAPH, Special Interest Group on Computer Graphics, formed by ACM, the Association for Computing Machinery (was Special Interest Committee in 1967, initiated by Sam Matsa and Andries van Dam) (US)

CTG (Computer Technique Group) founded (Japan).

Event One, organised by the Computer Arts Society London, first time a computer enters the Royal College of Art (UK).

Generative Computer-Grafik, by Georg Nees, published (first doctoral dissertation on computer art, submitted to Universität Stuttgart, supervised by Max Bense) (Germany)

1970

Charles Csuri organised Interactive Sound and Visual Systems, major exhibition on technology and the arts at Ohio State University (US).

1971

Charles Csuri founded Computer Graphics Research Group (CGRG), Ohio State University, served as Director until 1986, when he founded ACCAD. See 1986.

Manfred Mohr – World’s first museum-based solo exhibition of computer generated art at Musee d’Art Modern, Paris (France).

Herbert Franke publishes ‘Computer Graphics – Computer Art‘ (Phaidon Press Ltd).

1973

Richard G Shoup creates SuperPaint, first complete 8-bit paint system at Xerox Palo Alto (US).

1974

Hunger produced by Peter Foldes at National Research Council, wins Cannes Film Festival Prix de Jury award for animation (Canada).

Ceefax started by the BBC (UK). World’s first teletext system running on analogue television signals. After 38 years of broadcasting Ceefax ended in 2012, when TV services switched to digital. See also Prestel.

1975

Fractals – Benoit Mandelbrot (IBM, US).

1976

Artist and Computer‘, published by Ruth Leavitt (US).

1978-79

Harold Cohen – An Artist’s Use of the Computer’ – Arts Council of Great Britain Exhibition Tour.

1978  

Telidon (1978-1985, Canada) was promoted as a next generation version of the European invention interactive videotex, but with more advanced graphics and fully interactive. High running costs made it hard to justify as a service and it soon collapsed (similar to Prestel in the UK and unlike Minitel in France). See Prestel (1979), Minitel (1981), Telidon Art Project (1985).

Joseph Stanislaus (Stan) Ostoja-Kotkowski – computer generated poem Tidal Element became the first computer poem in Australia. Featured in ‘Australian Literary Studies’ (Adelaide University). He exhibited throughout the 1980s until his sudden death in 1994.

WordStar an early word processor released.

Space Invaders arcade game released. 

Kraftwerk ‘The Man-Machine’ groundbreaking synthesiser music album released.

1979

The Mighty Micro – Christopher Evans book – subtitled The Impact Of The Computer Revolution.

First Ars Electronica, Linz (Austria).

The Computer Museum opened in Boston, Massachusetts USA. Originally funded by DEC and called the Digital Computer Museum.

Brian Reffin Smith wrote ‘Jackson‘, an early digital painting program, for the Research Machines 380Z 8-bit computer. The program was distributed by the UK’s Ministry of Education and used in schools and elsewhere.

Joan Truckenbrod – Oblique Wave – algorithmic art.

Ed Emshwiller – ‘Sunstone’ animation (NYIT, USA).

Generator designed by Cedric Price (UK 1976-79) – ‘Intelligent Building’ sought to create conditions for shifting, changing personal interactions in a reconfigurable and responsive architectural project. In RIBA Magazine 1980.

Prestel launched in the UK – an early web-type teletext system, similar to France’s Minitel. 

Alien movie released, directed by Ridley Scott. Graphical readouts of terrain, data etc. on the spaceship Nostromo flight deck computers designed by Colin Emmett, Brian Wyvill and John Landsown (and others), via System Simulation Ltd (SSL, not the US audio company) (UK). Some of these were re-used in Blade Runner (1982).

Sony Walkman portable cassette player. 

  

Fairlight CMI (Computer Musical Instrument) Sampling Sounds released in Sydney, Australia. This expensive system was extensively used by top musicians in the 1980s. It was the first commercially sold synthesizer and sampler and coined the term ‘sampling’ in music.  

It was also featured on Electronic Music From The Outside In,  a Folkways Records in 1980 with composers Barton McLean and Priscilla McLean electronic classical album in 1980. The Kate Bush album Never for Ever was the first commercially released album to feature the CMI followed by Peter Gabriel’s self-titled album in 1982. CMI Series III ended in 1989, when Fairlight stopped selling the CMI. 

All the top artists used the Fairlight in major studios through the 1980s. See ZTT, Trevor Horn (UK).

  

Visicalc arrived in the summer of 1979 for $100, for the the Apple II, which was $2000. People bought the computer to run this uniquely useful software.

Cat Hill Campus – early computer graphics centre, eventually became part of the Faculty of Art & Design Middlesex University, London UK. Geoff Davis (Micro Arts) completed his research Masters there (zooming interfaces), with Stephen Boyd Davis (see ‘History On The Line: Time As Dimension, Design Issues’, MIT Press 2012). Cat Hill art and design facility first opened with ‘phase one’ in 1970.

Middlesex purchased the first video framestore in the UK called the Bugstore, which had a video RAM (memory) of 0.75 Mb and cost £50,000. Director was John Vince who developed PICASO, a plotting system for art and design rather than CAD. A large amount of commercial animation work was produced at Middlesex Polytechnic during the 1980s and later. Used extensively by undergraduate Paul Ashdown who later worked on Jurassic Park and X-Men movies. John Vince is now Emeritus Professor in Digital Media at Bournemouth University.